This
project was centered on the creation of a historical narrative. Since the
project involved writing my first screenplay, I knew that it was going to be an
interesting experience from the start. This assignment ended up being very
challenging from a technical aspect. I had never used Final Draft before, and I
was completely unfamiliar with the interface of the program. Hannah and I
struggled to even format our assignment, let alone write anything. Additionally,
we decided to loosely base our screenplay on some experiences that my dad had
when he was in the Navy on the USS Pogy submarine. Choosing to focus on a
situation from my family history was also an interesting choice, as it made me
very partial to the character that was portraying my dad. I wanted to make him the hero of our story
from the beginning. From the readings and viewings that were completed in
preparation for this assignment, I really liked the emphasis on how our family
members have played small, but very significant roles in the creation of our
history. In the process of interviewing my dad for this assignment, I found out
that he was on the same submarine that the movie The Hunt for Red October is based on. He was on that ship only a
few years after the movie came out, and the USS Pogy was still responsible for
many of the most secret and dangerous missions of the Gulf War. This was
something that I had never discussed with him before, but it really hit me how
much this was like the story about the lady who ironed the king’s shirts. Both
of our family members have played small parts in the grander scheme of history.
I think that this was an interesting realization to have, as I had never before
considered the role that my dad played in the navy, and the long-term
implications of that. Throughout this project Hannah and I took stereotypes and
things that we had seen from other movies that we had seen about submarines,
and the armed forces in general. We also made several references to Tom Clancy
and Sean Connery, as an inside joke to the fact that this is the same time
period as The Hunt for Red October.
However, we did make an effort to make sure that we were not directly working
from the plot of The Hunt for Red October,
as we wanted to make this screenplay our own. We also wanted to end the tension
of the script with a kind of silly moment, as the characters realize that the submarines
are really whales, and by Lieutenant Clark winning the beard growing contest.
Overall, this was a challenging, but rewarding assignment, as we learned to
write our first screenplay.
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